three poems

by Jacob Butlett



Two Reflections

 

When I look in the bathroom mirror, I find him,

me at fifteen, staring out with downcast eyes.

His reflection: splattered with spearmint spittle

& acne, braces bandaged across teeth, crooked.

 

He woke up for high school, just as I awoke

minutes earlier, but for work at the university.

Sun crawls across the mirror, slashing the bottom

half of his head with shadows. I still see them: 

 

his eyes, wearied with worry, glinting with fear 

like a caged creature with wings crumpled. 

What might I say to him if I could? That there’s 

no need to be scared? That being gay is okay?

 

We already know this. Yet we can’t stop thinking

about our Iowa town, how it hosted the KKK,

a garrison of ghosts, white-robed, storming 

Main Street, lined with children cheering.

 

I want to reach inside the mirror to hoist 

the weight of his secret off his back, strapped 

like steel he yearns to toss into his closet: 

locked away for good. I want to cry with him 

 

on those cold nights, friendless, yet desperate 

to seize life by the throat. I want him to accept

what we try to accept: we’re more than our fear. 

When I touch the glass, he vanishes, silent.

 

Sunrise ghosts across the lens of my glasses

as I find spittle on my reflection, newly shaven, 

no more acne, no more braces, but worry lines,

always the same, circling my middle-aged eyes. 

My Stammer

 

makes you                                  roll your eyes,                 especially at parties 

 

like these.                                    Believe me, I wish                 I could make it 

 

stop.                                              Believe me. I wish                  I could temper 

 

the music                                   on the tip of my tongue.                  You try to hide 

 

your grimace                                   as you wait for                                        silence 

 

so that you can speak                   without interruption,                    without delay,

 

once more.                                   You have my sympathies.                    But I can’t 

 

change how my words        skip        like           stones         off        my         teeth 

 

into this moat of                  impatience               you’ve built around              us, 

 

I can’t change                          to make you                                          happy, 

 

and even though               I want you to                     listen to me,                I fear

 

you’re waiting                   for the ideal moment                                  to sneak away. 

 

If you want to go,                              go.                                   The party of my life 

 

will go on without                                you.                  I don’t need your acceptance 

 

or approval.                 But if you care about me,                    really care about me,

 

stay,                              don’t walk away,                          imagine how I must 

 

be feeling,                       I’m not going anywhere.                       Can’t you hear 

 

how my stammer           rises,              determined to touch                    your heart?

Hospital

           

I’m scribbling these words down

with a dull pencil stub I found

on the floor of this waiting room. Wooden chairs

face silent static on a flatscreen.

My vending machine sugar cookie is stale.

 

I haven’t eaten all day, so I crunch into it.

After his surgery, I’ll help Dad into the passenger

seat and drive him through foggy traffic,

trucks like ghosts fading under the October sky.

The sounds of Dad’s sleep—his snores, his sighs—

will consume the car, loud yet comforting.

 

Growing weary, I continue writing words:

unthumbed magazines, dusty side tables, fake petunias

in plastic pots—too many petals to count.

Rise from your chair and you’ll see each petal

drooping as if comatose under these dim lights.

Outside the door, people come and go like stretchers 

 

being shoved down sanitized corridors.

All alone, I sip decaffeinated coffee,

which somehow makes me more jittery, more anxious.

Before I finish this journal entry, I’ll stretch

in the foyer, away from sleepy-eyed patients

being wheelchaired off to God-knows-where.

 

I want Dad to be well again: back to 

building porches, watching TV, hugging me at night.

Life is short: a wall clock tsk-tsks as the seconds die.

People in white coats shuffle along. I shuffle

back to wait in the quiet.

 

                        —after Katia Kapovich’s “The Ferry”




Photo of Jacob Bulett

BIO: Jacob Butlett is the Head Poetry Editor at Blue Earth Review. Jacob's creative works have been published in many journals, including Colorado ReviewThe Hollins Critic, Crab Orchard Review, and Lunch Ticket. Jacob received an Honorable Mention for the Academy of American Poets Prize (Graduate Prize) at Southern Illinois University at Carbondale (SIUC), sponsored by the Academy of American Poets. Aldrich Press published Jacob's debut book of poems, Stars Burning Night's Quiet Rhapsody.

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three poems