four poems

by Heather Truett



Yesterday I had two orgasms 

and three cups of coffee, but I didn't write. I sex
dreamed guilty, held tiny beads up to the light
and probably texted too many LOLs. 

I am lonely & full & empty & other

abstractions. Book spines cell me in, movie carpet red
and my heart a sudden in-my-throatness. Want
leaps unexpected.

Fifteen, he called me
can’t wait. The body’s

first moments in aliveness, sex stirred
beneath my belly, the future held
locked between my thighs...
I'm still lonely in abstraction, still

a tiny bead, an extraneous LOL in an awkward
message that screams "like me" naively, as if my open
brokenness is not draped across
my breasts, no longer safe inside
my womb, birthed, born, toddling, teething, wet.

How do you… Human? Friend? Lover? How do we
connect inside abstraction?

Are orgasms and coffee and walks in the woods outside
of time? How would red carpet feel beneath
my knees, my back, our skin? Here is my aliveness
held up to the light.

Human Anatomy and Poemology

 

Don't ask me for atria or ventricles when you cannot give 

me a tissue to dry my eyes or a single nerve not stripped 

to barest thread.

 

I have no poem to write for you. I have

no poem to write. I have

no poem

 

I sliced into the hollow behind my knee, trying to bend 

for you, but the bone didn't give. Slide the knife across 

my palm. Trace the lifeline in perfect iambic pentameter. Press

 

the pulse to feel me breathe. You breathe swamp water and swollen 

lymph nodes, abstract alliteration, an allusion to what you want 

from me. The blade of my pen is brackish with blood, and I have 

 

no poem to write for you. I have

no poem to write. I have

no poem

 

There is algae on the assonance, a metaphor of moss growing 

lateral and medial, hanging from fingers, strangling 

larynx and trachea. Don’t ask 

 

me for poetry canals of fresh water when you cannot give 

me capillary streams of irony or a page of flesh to hold 

my words. Slip the knife into my heart, slit

 

the aortic arch and let me bleed the lines you need to flow control my free 

verse. Break me apart bone by bone and stash the stanzas in the wet

lands of your rejection. The blade of my pen is stuck

in my spine, and I have no poem to write for you. I have

 

no poem to write. I have

no poem

They found alcohol inside a nebula. 

 

I look for wine inside the glass 

curve of my own body. Stars swirl 

in eddies of vodka. Thoughts are 

 

drunken, soaked, spiral

galaxy of absurd ideas, fantastical un

realities. Who drank champagne 

 

in a thirty-year-old supernova, poured

nostalgia down her throat like 

drowning? I am alone 

 

in my forgetting and remembering 

how the newness of nearness could break 

all self delusion. No one

 

to nip the lips of novelty 

alongside me now. I don’t know 

how to swim. I don’t know how 

 

to sink. I buoy above the under

tow, terrified and tantalized, terrifically

tempted to dive. Is it deep 

 

sea or satellites? Is tomorrow

coming in? Low tide. Sea 

shell. Space ship. Yester

 

day. They found alcohol 

inside a nebula, ethanol 

and vinegar, sharp tang of lowered 

 

inhibitions. I am

alone in the glass cage 

of my own body, the stem of spine 

 

does not bend. The collarbone and shoulder

blades are bound to break 

me open, break me 

 

down the spiral, undercover enemy 

is only me, only a bubbly drink. I celebrate 

alone, inside an absurd supernova.

I Want You to Want Me Like Nic Cage Wanted Patricia Arquette

It’s dangerous to want like I want, like he wanted, to want 

to be worth JD Salinger’s autograph and a wedding 

costume from the Lisu tribe in southeast Asia. Here 

is the list of what to do to prove that you want me.

 

I want to be wanted but not had, not entirely

caught. I want you to chase me like black

orchids, but this list is tattooed on my ribcage

in cursive script and invisible ink. Weave

your web, please. Buy the spray paint, flower

dark in my front yard and ring the bell, don’t

beg, don’t punch walls, just fly me

to Cuba while reading me lines of Neruda. 

 

I want you to know I am a little bit broken, a whole 

woman wanting someone to write verses in silk 

across my flesh while I pour us into a champagne 

story, or drive me into the forest and we can burn

by a cabin covered in obnoxiously large orange 

blooms. Let your lips blossom on my hip bone.

 

I want to not want to be wanted, but I do. I want

to not want to want to be wanted, but I’ve tangled

wings in my own web, can’t read my writing. I could 

steal my own Bob’s Big Boy, but the fiberglass

of desire shredding my skin is aflame. Water

my roots, please. Peel me on the forest floor.

 

I want no one to know how fake I feel, flesh

vibrating in vinyl, cat suit and claws, purple

wedding cake covered in orchids. Marry

the chasms I carry and call holy, call me back

to myself. Move into the house of me and stay

only six months. Stay six years. Frost

me in an airport bathroom and feast.




Photo of Heather Truett

BIO: Heather Truett holds an MFA from the University of Memphis and is doing PhD work at FSU. Her debut novel, KISS AND REPEAT, was released from Macmillan in 2021. She has work in Hunger Mountain, Whale Road Review, and Appalachian Review. Heather serves as editor-in-chief for the Southeast Review. Find out more at www.heathertruett.com.

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two poems

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the gospel