three poems

by Candice M. Kelsey


Seam Allowance

 

Determined to leave it patched and plump,

Nana pins and notches Meow-Meow

 

under his tail where Georgia-Rae rubbed

her own genie’s lamp or worry stone 

 

all but worn away. Does it hurt him? 

For a moment I too wonder of zig-zag

 

pain should the needle slip, how flesh

of seventy-eight years becomes papered

 

unlike vaginal elasticity at thirty-two

and Dr. Brandt’s stitching me like a virgin

 

again. Lanyard fingers unweave my girl’s

half-a-morning’s French braid, a tickle

 

of distraction always the most dependable 

companion. And final sutures’ success 

 

as Nana christens the feline fluff with twill 

tape, a tag to finger-loop like Time’s 

 

second hand, short and hour-thick under 

its tail. Grandmother, granddaughter, and cat.

 

We know it won’t last. Know childhood

rubs its way out of Chattanooga days

 

spent in the sewing room of a woman

so skilled at cutting and stitching patterns,

 

Nana whose ovaries wouldn’t account

for cellular mutations, incisions made, or

 

optimal tumor debulking. Only we know

the spot where love has torn us apart.

Dear Front Porch Wildflowers,

 

embarrassing fourth attempt, unwitting survivors

in the tomb of unlucky predecessors,

first burst of color, strange life each morning,

first song of light home each evening,

what awaits me on the other side

of a metal screen door double locked, soft

ones without rust, you gallery of tenderness, stained

glass holiness in the sun, you choir of loneliness,

faithful friends at my feet who share

rare quiet, who tolerate Friday’s illegal leaf blowers,

LAPD helicopters, the neighbor’s emaciated

cat blooming a red-breasted sapsucker

from its chin, you floral debut of what can be,

what can grow from Assorted Seeds

nameless sons and daughters of a recyclable box

on the steps of a crumbling walk-up,

petaled glances reflecting shared gratitude that

this is all there really is. With solidarity, 

 

I of the lopsided watering can

spilling from distraction and,

only occasionally, despair, the woman

you water just enough.

Portrait of the World as Cozy Mystery Series

 

where global poverty is a relatable amateur sleuth accidentally solving crimes / climate

catastrophe is the quaint, close-knit town where food insecurity sets a light and humorous tone

/ refugees provide subplots to enrich the main mystery / where children without clean water bring

quirky humor and charm / the mental health crisis is not overly dark because a broken healthcare

system adds to the puzzle, offering clues and red herrings / the exploitation of women, if

included at all, tends to be sweet, avoiding graphic violence / wars are resolved by tying up loose

ends, leaving the community a better place / where rape, kidnapping, and genocide never make

the script / here on the studio lot where the line between criminal and victim is never up for

debate




BIO: Candice M. Kelsey (she/her) is a poet and educator living in L.A. and Georgia. She's developed a taste for life's absurd glow, really long skirts, and juicy opera podcasts. She roasts vegetables like it's a sacred ritual and wears mostly black because her late father-in-law said it's not her color. Somehow her work has received Pushcart and Best-of-the-Net nominations, and she woke up one day as the author of 8 books. Please acknowledge her existence @Feed_Me_Poetry or https://www.candicemkelseypoet.com/.

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three visual poems