five poems

by Daniel Luévano

THE SADNESS CHANNEL

 

The ghost of the grandfather rattles the actress awake

But can’t tell her anything

About anything.

 

A cousin to the jellyfish, a bright sucking flower

Feeds on little eyes of the ocean,

If eyeless itself, & can never be eaten.

 

In deepest, darkest, Jerkass, USA, machine guns

Quake, & teeth quake, & wide-eyed beasts &

Church pews quake, & even in Russia, human remains

 

Shake atop a forest floor & bleach, too late to be evidence.

One may swallow lightbulbs or daggers or sadness or the past.

One may entomb themselves

 

In prison ink, or pipe smoke, or bodyfat, or trash,

& many will gawk, but not their kids.

A western of VistaVision gunslingers in coppery flesh tones

 

& rusted-up panoramas & blood-soaked kerchiefs

Credits no real stars, but casts wan union

As Mexican goofballs & doomed

 

Horseback natives, no real need

For plot, or even heroes, just relentless

Skies far-flung along unending rolling scrub.

 

Commercials for shows about commercials.

Ads for movies about writers writing movies.

Sequels & spinoffs & remakes of TV mysteries.

 

Takedowns & Crusades & the work-life balance of maggots.

Documentaries about your life.

No fact-checks. No consent.

HOLOGRAPHIC POEM BEFORE EASTER

 

I love kosher wine, says the 14-year-old

Jamming with friends at the pricey

L.A. outdoor mall.

Red wine, she tells them, is good for the soul.

Ah, child, that's one thing

I know as well.

But what I want more to tell her,

What today absorbs me furiously

As I window-shop alone: What you see now,

These boutiques of space-age fabrics

& hedonistic patio beds, this sunshine,

These friends, these strangers, all this

Will never be known

Apart from your seeing.

 

That’s hard for a child.

That’s hard for me

As I jam past the garish, tantalizing

Come-ons, while my own future

Catches up with tomorrow.

It’s not my place to tell her.

It’s not my place. It’s an ignorance

Only the stars ignited can know.

All is, & people, nearly all, are weird

& lonely & many in tears. Maybe she

Could tell me that part.

But my other furious panic

Today is the reverse condition:

Existence is a hologram

 

Projected from the edge of all

Possibility, from a deeper universe,

Deeper by a single dimension

Not allowed us. People

& our espresso chains & our niches

For alert machines

& our life-affirming

Wall-hangs, ambitions, our ignorance

Of the stars. People who are naturally

Red-haired, nearly none, & require

More cuddles than three arms can give.

People who are matter in three

Moveable dimensions & therefore

Waves & therefore

 

Interference. People

Who are filaments of a creation

Gathered into stuffs like snow globes.

And projected from the outside

Of everywhere.

It’s not my place to tell her that either.

It’s not my place to remind the asshole

Barista in a newsboy cap

That his stank shower gel

Is part of my world too.

Remind the grandmother in itty

Bitty sunglasses while she shouts

Spanish into a huge cell phone

That she might just be happy to be

 

Part of such a story.

Sunday is Easter.

A bad day for practitioners

Mournful of their convictions.

Because it’s not the work of the Lord

To create meaning. It’s almost all

That’s been left to us,

Projected from outside time

Into the newsroom of the 21st century.

Not the work of the Lord

To make a decision,

As any particulate of existence

Contains the whole, our cellular

Bleeps & pings, swollen feet

 

In strappy sandals, & embraces

& odors & ideals

For company towels

Will decide our curve

In the grander form.

The Gnostics believed the world to be

Debased from all time.

Now they might say from all space.

Ask the girl who loves kosher wine

While she slums it tonight

Hanging with jerks in Reseda.

But until invited to a better party

Look at her take pleasure

In the given world.

YOU SHALL REBIRTH QUITE SOON, PAT

 

You shall rebirth quite soon, my friend.

You will be again

A head-down, ignorant

Fat-legged little dumpling

Bracing against contractions

 

That suck you at your scalp

Like a cowboy hat its cowboy.

But what must it mean to you, friend, a Buddhist,

To be a ghost, relegated as you are to haunting

Such a suburban edifice as this one

 

Encompassing an illicit massage parlor

& legitimate Thai take-out &

A medical dispensary & an abandoned

Weight Watchers. What must it mean to be

Ghost, until you are called again

 

To be a person. And you an American

Buddhist, so chances are you didn’t believe

In reincarnation, huh.

I could never be a Buddhist, pal, at least not

Until my next incarnation.

 

I believe in too much & usually

The rationally suspicious,

Like Ouija boards & the energetic

Laying of hands. I try not to

Believe in much, or to be sorry

 

For what I do believe in.

I am sorry for your current condition

& sorry to meet you now

At this time of night, at this address,

Cold sweat sucking back through my pores.

 

I, like many Americans, & Buddhists, & you, Pat,

Find it difficult to “Live in the moment.”

Graffiti on doomy alley brick

Shines with the big orange words

“Go Fuck Yourself” which I think

 

Is some asshole’s attempt at opening

A suicide note. Or maybe a Book of the Dead

Open-sourced for the people

As our full civilization births & rebirths

Little carriers of genes & viruses,

 

Little gasoline-dependent toy-neglectors.

O Mothers should envelop us again &

Shouts of labor across our bones

Might warm us long into this

The latest life. The next line should be

 

Go Birth Yourself.

It’s all too bad, Pat. These lives

That wipe clean like frayed gingham

Table liners. These lives that shake out

Like spotted sheets. Like your life

 

In particular, Pat. The next line should be

You shouldn’t stitch your wrists

Closed with shoelaces.

BRETHREN AROUND OLD TOWN SQUARE

 

Wretched & absentee dads,

Former heartbreakers,

Stagger through hashish clouds, craniums

Roaring with little noise

Out big headphones, while their brethren,

The dreadlocked & broom-skirted

Grown-up runaways

Beat on acoustic bodies & hope

For money, while aunties & uncles

& townies-slash-neighbors

Dispose with me some income

In a rattling brewpub

Then amble past barely solvent

Nepalese imports & mod kitchen

Tchotchkes & itty bitty boutiques

Of teeny weeny apparel, & tonight

The Rapture-minded pamphleteers

Slip featherlight leaflets

Heavy with heavenly clouds

Palm to occasional palm.

 

What a congregation, what misfortunates.

I, like those others, wander decades

In what is technically a steppe, seeking

A chip of blameless flat chaff

That balances easily on the tongue

Like the low full moon.

A couple of middle school girls

Slouch together burbling with laughter

At our lame figments of adulthood

& push off each other, shy & grinning.

Tiny loosed little tots huck

Their shoeless selves at inground fountain waters

& retreat hysterical to their crouching grownups.

An outreaching advocate jots in her margins

An elapsed personal history. Renames

Bums, derelicts, campers, & pilgrims.

An inveterate unhoused

Practiced in pretending to wait

Asks a good thing of anyone, nothing.

No one knows anyone, but our pasts

 

Follow us like detectives

& we can’t turn around fast enough.

What a congregation.

What plausible raison d'êtres.

Yes, everyone is rich-rich-rich

& owns nothing really at all.

All sit in some shape of sullen poverty

Tangible or figurative

With all the world within their steps.

A boxy Mexican lady offers

An envelope to a wadded ski jacket

& is met with bloody lips.

What to offer. From enormous pockets

A charity so penniless

Who could steady hands long enough to give it.

HILARIOUS BUDDHISTS

 

You’re an American looking for the one true religion.

Don’t get too excited. My pastor, my psychiatrist,

My priestess, my bamboo shoots

Tossed in earthy desert powder

Tell me nearly when I listen the same:

 

Don’t get too down on yourself. I myself

Am more religious than spiritual.

I, I mean me, like the little atheist

Schoolgirl with her round little atheist eyeglasses

Skim through whole chunks of the Library of Congress.

Well, she reads, I skim

 

Scanning for clues in misread lines

& in the peripheral leering of grownup men.

Feel her emptiness of body, feel her

Openendedness of cranium.

Even she, even her parents,

Hold out for a single truth.

And let me tell you, it’s there:

 

Just behind your heady crown, just opposite

Your eyes, right there, inside-out

Of your hearing, inverted on your tongue

& also perched on the bridge of your nose.

Keep twisting. Religion is dying.

And that that makes the great

Religions great—dying.

Magic & crystalline knowledge.

 

Which is not to say The Truth is dying.

Real Truth outlives us & kindly will

Take us along.

O my lapsed sons & daughters of Abraham:

Observant, areligious, somewhat

Orthodox, pretty much devout,

You fear devotion is nutso

But you love many among the insane.

 

You love yourself.

You are a logical thinker, a sentimental

Drinker, an intuitive tinkerer.

So, my seeker, when choosing a religion, skip

Ones that tell you what to laugh at.

What you’re laughing at.

It’s the same reason you’ve never met

 

A hilarious Buddhist: once you let go the fear

& the sick attachments

That got you this far, you’re left

With purity & where did first

Purity get you, but fearful & sick of yourself.

But, should you one day meet said hysterical Buddhist,

 

Follow that one. Follow so close as to lean

From the next barstool. But keep in mind

That winking yogis love most

That they know they know

Absolutely less than you.


Photo of Daniel Luévano

BIO: Daniel Luévano’s poems have appeared in journals including Interim and Rust + Moth, and in the chapbook The Future Called Something O'Clock. He lives in Fort Collins, Colorado.

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