four poems

by David Cazden




Portrait Of A Turnip

 

A turnip is never too old

to be consumed

and is happy to be thrown

in a cellar, enjoying the damp

of its thoughts.

A turnip is also happy sliced up,

spread in butter, trying

not to be bitter going down.

It prefers being a side dish

at the edge of a plate

but its strong point is lasting

longer than anyone thought―

stroking its cloudy beard,

dreaming in its stubbled skin.

But the turnip was like this

even when young―flesh firm,

heart weak, living

next to its brother, the potato―

hairless and thin-skinned,

with half-closed eyes,

floating in earth

like the unborn.

But the turnip doesn't know

a potato is always the first

to be eaten. So the turnip waits

until it's rooty and old,

staying below everyone's footsteps―

tucked in the dark

full of hunger,

holding a single drop of the rain.






Staying Out Too Late    

 

Our lawn turns the color of tea.

My dog, Rusty, tints dusky brown

while I'm busy kicking rocks

down a crumbling driveway,

sneaking in our backyard―

Dad reads behind a window,

a hummingbird moth

sips a Nicotiana's ghostly bloom

but the grass feels wet, tenuous

where Rusty and I'd run

school day afternoons

and where I used to think

we'd reunite by zinnias and the hollies―

after Dad's drapes closed for good

and Mom's voice folded in a breeze.

I didn't know I'd return

to this same place―

stepping over oak roots

gnarled through the loam,

past our old a/c's

sun-scorched skin,

its metal lungs full of rust.

So I was unsure, stepping

on the grassy edge

as stars streamed

across my face and eyes

and I wavered in the yard

until Mom's voice reeled me in

through the backyard door,

Rusty just behind, his body

brushing on my legs,

his brown fur fading

in the pale porch light.






Early Scientists Examine A Chrysalis

 

When they cut one open

expecting to find

a caterpillar in a dressing room,

dieting to thinness, gluing on wing stubs,

they saw nothing― not darkened sky

above shallow water

obscured by fog

hanging in the marsh trees

where the caterpillar hatched.

They didn't understand

how it vanished in its own bed

and they didn't know

its life of solitude―

crawling up one green stem,

chewing the same bitter leaf,

growing plump and alone.

For a caterpillar's essence

is rearranged by ores

in earth, casting fields

that pull living things together.

They only knew

it would unfold damp wings

like joined hands,

warming on a wrist of sun

refracting through a window

braceleted with rainbow colors.

That it must emerge, as we do―

the broken chrysalis

of our clothes across the floor,

as we wonder

where the butterfly went

that flew between our ribs,

through the body's open windows―

And each day we awaken

somehow transformed―

as if we are born again

in some foggy marsh,

arising out of nothing

into the morning air.






Proposing In The Car

 

Driving on tree-lined roads,

I keep one hand on the wheel

as the other searches.  Above, August

paints the cirrus clouds

like blushing ribs

and I fumble in my pocket,

leaning toward you.

One day I won't bend so easily,

when spaces between vertebra

like empty days

dry and tumble.

But today everything's malleable, soft

as your brown eyes

swept with flecks of cloud.

So I propose, parked

on a random road

as the scent of earth rises

in the windows and the fulsome trees.

The sun pivots on the hood,

on the bright ring on your hand

as this summer when we met

finally exhales

through the humid grass,

across open pores of leaves―

so we hardly notice

outstretched oaks and sloping roofs

in the city where we'll live―

tucked between uneven bricks

in every house we'll have,

tangling hoses through the yards,

memorizing every crack

in every road

as we come and go.

Yet each day

the finest net of dusk

ensnares us, as it does now―

drifting through branches

bowed above the car,

where we park for hours

in twilight's drifting sigh.





Photo of David Cazden

BIO: David Cazden's poetry has appeared in The New Republic, Heavy Feather Review, The Chiron Review, Nimrod, The Louisville Review, Crab Creek Review, Kestrel, Fugue Journal, The Shore and elsewhere.  His most recent book is New Stars And Constellations (Bainbridge Island Press, 2024).

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