four poems
by a.d.
the sacrifice revisited
kin aureolated round the altar placid as milk Father presiding to extol his homecoming by one final killing the gods must be fed surrogate blood for pardoning ours young girl leads out the dappled victim nescience wreathed in petals men sprinkle her with barley crumbs wine honey peel back her head expose her sacred throat Elektra fevers its softness like a violation feels the ache of Father's eyes on her probing burrowing
her mind bends back: her sister river curdling down her neck eyes astare as only the dead's can stare priest concealed beneath god's head blade slicing clean incision above her womb birthing from her own guts the war the future death later sees the flesh quartered bits of meat stuck in the men's teeth her mind looks on unflinching knows that in this world the meek get eaten but she is not meek she is of the ones that eat
bluntness of memory I reconciliation
the silent scene being played in the kitchen stabs you like a betrayal- the vulgarity of your father's mouth stuffed with the softness of your mother's milky breast like a hare's innocent throat taking residence in the wolf's stately jaws. his undaunted gaze holds defiant as it banishes you back to your room.
later, as you creep back to your insulated sanctuary, aware of every follicle in your body buzzing red electric, aware, for the first time, of a pulse beating its unknown rhythm in the recesses of your uncomprehending body, separate from the heart, as an unslakable wave of nausea deep-floods your gut: the dawning that he is capable of feeling & has been all along.
you lie motionless, marinating in your covetous bed of revulsion & lust with bile like an eyeball lodged in your throat & play out your mother's betrayal still being enacted in the urine glow of the kitchen;
the tension swelling & then, finally, the release
of this peculiar disgust that would only be expelled
through the secondary mouth:
the rebel act of the initiated- incidental & perfect.
II
eventually there comes a time to forgive your mother her predicament, her liability of laying bare her body on the counter for your father & his maggot eyes;
to forgive too your father his weakness for domination, his habit to love only through vicious bite;
to forgive yourself your shame, cum- white & slithering, that tides you over with every recollection of this deed & each one since-
there comes a time to stop breathing paranoid, to stop painting monsters out of us pitiful, lonely creatures.
The Homecoming
That viscous scent of home abides despite not being breathed
in for years... an indelible fragrance of terror
obfuscating everything. The father will return no longer, but his turgid
spectre lingers, folded in every fissure, mouth agape
& soundless in his muted theatre of horrors.
Every step taken within the abattoir of a room fleshes out a memory-
the obedience of a mother blind as the statue of the Virgin, who
placid & unblinking, beheld the tragedy unfold; the sobriety of his face each time
he swore his affection; his hand that grazed unchecked
your delicate skin that burned adolescent. The stroke of his axe
still echoes long after he's gone, echoes around the padlocked chest
of your own private confessional, where he used to coax out
your inutile sins to valiantly absolve them; where sometimes,
the penitence his febrile mind would assign was only negligence-
& still, in every instance it was a blessing to have that barring sheet
of wooden coffin separating his carnivorous hand from your brittle flesh.
Sheltered within this prison is where they will find you, still tremulant,
still haunted, still waiting on his furtive footfalls to absolve you of your mind
Dogma
after Pier Paolo Pasolini
I. Prime
The dawning light restores his solemn chastity. The sanctuary he enters chastened & still quivering. As if heeded, he draws ever nearer to the pierced feet, feels the weight of that pinned body behind him, tense & trembling. He has come to understand what it's like to be fastened. This service that he has conducted many times, while necessary, falls short of deliverance. Void faces reflect their resignation back at him. Even here, he wishes he could break & pass around the sustenance of his body. Among the pews he spreads salvation; the words fall silent as snow.
II. Sext
He finally fathoms the calling- to obey not the whims of pleasure but a duty whose hammering still echoes, muted, through the centuries. He has found that the closest way to replicate the passion is to offer the body for communion- the body, hallowed, with its flaws & odors & all its teeming humanity. Surrendering the body is all that faith has ever taught him; life & its suffering hone his creed.
III. Vespers
There is nothing more sacred than violence felt within the body. The nails being driven, the taste of the whip beneath the tongue. Saintlike, he swaps the holy band for a binding that remains imprinted around the throat long after its removal. Aided by darkness, he exits one place of worship to enter another- its drive more urgent, its absolution tangible. Selfless, he exposes himself on the cross, offers himself as a transient vehicle in which God can be found unbridled.
IV. Compline
Here, the price of admission is the self. Nightly he relishes in this self-flagellation in the service of others, takes the spear in the budding rose of his throat. Oh, the sanctity of the naked body eroticized, the vespers of orgasmic assumption. The erect figure draped bare across the sternum he is tonguing glistens with anticipation, promising immediate salvation.
V. Vigil
The subtle stirring of the body brings God's ascension & with it a stillness. Everything that has been made holy is ready to be blessed again.
ttt
VI. Lauds
Having sated his calling, the prostitute returns under the first blush of dawn, & in the vestry smothers his hard-earned holiness.
Photo of a.d.
BIO: a.d. is drawn to the sacred, the profane, the mysterious and the mythological, which provides inspiration for her work. She is a Pushcart- and BotN-nominated bisexual poet and visual artist, with poetry published in HAD, Aôthen, Anti-Heroin Chic, the engine(idling, God's Cruel Joke, DOG TEETH, and elsewhere. Meanwhile, her visual art, mainly photography and self-portraiture, is featured in SCAB, Hominum Journal, The Argyle, Antler Velvet, Bleating Thing and other outlets. Tumblr & Twitter: @godstained